From anxiety to Islamic illumination, Zahirah Hafiz reflects on the journey behind her exhibition piece The Path. What began as mindless doodling during periods of severe anxiety has developed into a considered practice rooted in Islamic geometric pattern, illumination, and storytelling.

Her work traces a shift from mental overwhelm to intentional creation, where structure, pattern, and colour become tools for reflection. In The Path, a bold central route moves through an intricate background, symbolising qadr, tawakkul, and the unseen wisdom within closed doors and changing life chapters.

Through this conversation, Zahirah also reflects on being a Muslim artist in the West, navigating visibility, value, and the tension between cultural expectations and artistic practice, while holding onto a belief in detail, presence, and divine care.

Follow her work
@lifeindetailuk

www.lifeindetail.co.uk

For enquiries about original work, message Zahirah directly via Instagram.

Can a minaret, a protest poster, and a pair of illustrated socks all become acts of dawah? Farah Girach’s practice explores how Islamic values are carried through graphic design, illustration, and the choices behind the work we choose to create.

Leicester-based designer Farah moved from a corporate learning and development role into freelance design after studying Graphic Communication at Birmingham City University. A turning point came when she stepped away from agency work that conflicted with her values, later deepened by redundancy in 2026, leading her toward a practice rooted in “design for good” and faith-led creative work.

Her projects include collaborations with Friends of Al Aqsa, Palestine solidarity cycling jerseys worn across the UK, and fundraising design work supporting humanitarian initiatives. Through these, her work becomes a form of visual activism, engaging with themes of justice, awareness, and global solidarity.

In Islam Through My Eyes, she presents an architectural piece centred on the Adhan and the minaret, woven with geometric structure and African-inspired motifs. The work reflects stillness, presence, and the grounding moment of prayer within everyday noise.

Follow her work
@farahgraphicz

Farah Girach Official: Instagram, Twitter | Linktree

For enquiries about original work, message Farah directly via Instagram.

Clara Talbi, known online as Claneesa, is a French Algerian digital artist whose work centres on joyful depictions of Muslim women, Eid gatherings, and everyday feminine intimacy.

Drawing from a childhood spent sketching with her father, Clara stepped away from art during a conventional career path before returning to it during the COVID period, choosing to pursue it as a full-time practice. Her conversion to Islam became a turning point, reshaping both her visual language and the way she understands her creative purpose.

Her work explores colour, composition, and atmosphere to express Muslim sisterhood and shared moments of ease and celebration. In Islam Through My Eyes, she presents a digital illustration of two women in abayas on Eid, surrounded by soft light, flowers, and quiet detail, capturing connection without relying on facial expression.

Through her practice, she reflects on identity as a French Algerian Muslim woman, the pressures of digital visibility, and the intention behind creating work that uplifts, represents, and affirms Muslim women in contemporary visual culture.

Follow her work
@claneessa

Claneessa Official: TikTok, Instagram | Linktree

For enquiries about original work, message Claneesa directly via Instagram.

Safiyya Farooq is a 24-year-old British Muslim digital artist whose practice explores faith, identity, and the evolving relationship between belief and creativity.

She has been drawing since primary school, developing imaginary worlds and character-based work long before she had formal training. After years of limited access to art education and creative spaces, university became a turning point, offering her the freedom to explore art more seriously and question what it could become in her life.

Her work reflects an ongoing process of questioning and healing, using digital painting as a space to process lived experience and personal faith. In Islam Through My Eyes, she presents a piece inspired by her sister’s journey with hijab and their shared struggle to understand Islam, using fragmented imagery to represent uncertainty, distance, and the gradual process of re-connection.

Through her practice, she reflects on imperfection, sincerity, and what it means to create while still figuring things out spiritually and personally.

Follow her work
@haruviere

For enquiries about original work, message Safiyya directly via Instagram.

Bradford-based artist and founder of Fayakunu, Kasim works across woodwork, pottery, and community teaching. His path moved through trade work, interior architecture and design at Coventry University, and back into Bradford where he established a studio rooted in local learning, making, and shared practice.

His work includes public sculpture in City Park (2023), reflecting migrant histories, the mills, and the layered identity of Bradford’s communities. Alongside this, his practice focuses on honest material use, exposed joinery, and natural finishes, drawing attention to structure, process, and care.

In Islam Through My Eyes, he presents furniture made using Mexican Parota wood, shaped with fine joinery and French polishing, influenced by low Japanese forms. The work reflects humility in scale and posture, and a return to grounded, intentional living through design.

Follow his work
@krt.instudio

fayakunu | Linktree

For enquiries about original work, message Kasim directly via Instagram.